詹姆斯•埃尔金斯 (James Elkins), 美国著名艺术史家、理论家和批评家。目前是芝加哥艺术学院E.C. 查德伯恩(E.C. Chadbourne)名誉教授、艺术史系主任。1977年在康奈尔大学取得学士学位。1983年在芝加哥大学取得绘画专业和艺术史专业双硕士学位，并于1989年从同一所大学取得艺术史博士学位。埃尔金斯的多部著作曾被译为中文、韩语、德语、俄语、意大利语、捷克语等多国语言。他的研究兴趣广泛，包括艺术图像、科学图像和自然图像的理论和历史、绘画、摄影理论、艺术史编纂学，以及全球艺术史等。

詹姆斯•埃尔金斯 (James Elkins), 美国著名艺术史家、理论家和批评家。目前是芝加哥艺术学院E.C. 查德伯恩(E.C. Chadbourne)名誉教授、艺术史系主任。1977年在康奈尔大学取得学士学位。1983年在芝加哥大学取得绘画专业和艺术史专业双硕士学位，并于1989年从同一所大学取得艺术史博士学位。埃尔金斯的多部著作曾被译为中文、韩语、德语、俄语、意大利语、捷克语等多国语言。他的研究兴趣广泛，包括艺术图像、科学图像和自然图像的理论和历史、绘画、摄影理论、艺术史编纂学，以及全球艺术史等。

This richly illustrated book provides an anthology and summation of the work of one of the world’s leading historians of Chinese painting and calligraphy. Wen Fong helped create the field of East Asian art history during a distinguished five-decade career at Princeton University and the Metropolitan Museum of Art. Few if any writers in English have such a broad knowledge of the...(展开全部)

This richly illustrated book provides an anthology and summation of the work of one of the world’s leading historians of Chinese painting and calligraphy. Wen Fong helped create the field of East Asian art history during a distinguished five-decade career at Princeton University and the Metropolitan Museum of Art. Few if any writers in English have such a broad knowledge of the...(展开全部)

What is landscape? How does it differ from 'land'? Does landscape always imply something to be pictured, a scene? When and why did we begin to cherish images of nature? What is 'nature'? Is it everything that isn't art, or artefact? This book explores many fascinating issues raised by the great range of ideas and images of the natural world in Western art since the Renaissance....(展开全部)

What is landscape? How does it differ from 'land'? Does landscape always imply something to be pictured, a scene? When and why did we begin to cherish images of nature? What is 'nature'? Is it everything that isn't art, or artefact? This book explores many fascinating issues raised by the great range of ideas and images of the natural world in Western art since the Renaissance....(展开全部)

高居翰（1926—2014） 加州大学伯克利分校艺术史和研究生院教授，1997年获该校终身成就奖；亦曾长期担任华盛顿弗瑞尔美术馆中国书画部顾问。2010年，史密森尼学会授予其查尔斯·朗·弗瑞尔奖章（Charles Lang Freer Medal），表彰他对亚洲和近东艺术史的杰出贡献。高居翰教授的著作多由在各大学授课时的讲稿修订，或充分利用博物馆资源编纂而成，皆是通过风格分析研究中国绘画史的经典书籍，享有世界范围的学术声誉。 李 渝（1944— ） 台湾大学外文系毕业，加州大学伯克利分校硕士、博士，师从高居翰。在中国美术方面著有《清末的市民画家——任伯年》、《中国现代绘画中的民族主义与先进风格》、《唯美与现实——文革以后中国绘画》等文。也从事小说创作、文学及影剧评论。

v. 1. The Birth of Landscape Painting in China: Pictorical Art and the Attitude Toward Nature in Antiquity, The Han Dynasty, The Six Dynasties; v. 2. Chinese landscape painting: The Sui and T'ang Dynasties.

This book focuses on Aby Warburg (1866-1929), one of the legendary figures of twentieth century cultural history. His collection, which is now housed in the Warburg Institute of the University of London bears witness to his idiosyncratic approach to a psychology of symbolism, and explores the Nachleben of classical antiquity in its manifold cultural legacy. This collection of e...(展开全部)